Magic

I think Magic could really be elevated depending on the context of the album.

For example, what if the opening track were really chaotic and loud and in-your-face (like maybe a song like Politik, but a synth-based, electro adventure style of a song) and then the synths fade and get drowned out, and at the same time, the groove of Magic fades in. I just think it would be a very nice contrast.

You see, when I listen to Magic, I feel like I'm in some sort of vaccum, or like I'm floating under water and looking up at the surface. The stripped-back nature of the song has an effect where everything around you seems to pause and all the sound is blocked out. So imagine going from a loud song to a simple song like Magic.

Here's a metaphor to help explain what I'm getting at:
Imagine you're running away from something terrifying... you're breathing heavily-- running for your life. You look back to see how close whatever's chasing you is. But as you look back you suddenly fall down a cliff that you didn't see coming because you were looking back. Now you're in free-fall... you're heart is still pumping extremely fast. The fall is terrifying yet exhilarating.
Finally, you plummet into a lake below and there's a giant splash. As you sink down, you look back up at the surface and everything becomes quiet and still. You begin to process everything and you're grateful to still be alive. And your entire body relaxes and becomes limp, like a wave of relief rolls over you, and you can feel it travel from your center all the way to your fingers and toes.

If that kind of feeling is achieved in the transition from Always In My Head to Magic, I'd be able to appreciate Magic much more.